Banu Cennetoğlu and The List - Liverpool Biennial 2018 - Beautiful world, where are you? During her month-long residency at Rua das Gaivotas 6, Aimée Zito Lema (n. 1982, NL) has developed research on memory and the intergenerational transmission of events through material history and the human body. In 1970, Judy Baca created with the collaboration of local gang members the mural entitled Mi Abuelita, one of the first community murals in L.A. This project introduced an innovative approach in the creation of inclusive and non-conflictual public art. A roundtable discussion with Isabel Capeloa Gil and Filipa Oliveira on Conviviality and the Institutional, a publication based on a conference of the same name held as part of a European cooperation project coordinated by the Universidade Católica and co-financed by the European Union’s Creative Europe programme 4Cs – From Conflict to Conviviality through Creativity and Culture. Visual Essay about Aimée Zito Lema exhibition in Lisbon.
Published in "Contemporânea" in March 2018.The work of Aimée Zito Lema (Amsterdam, 1982) addresses the dynamics between individual and collective memory, with a particular focus on the recording and intergenerational transmission of events, both through material history and through the human body as a mnemonic repository. Placing aesthetic and social practices side by side, her work inhabits a world of critical interaction between the material and the human.The third Biennial Conference Cultural Literacy & Cosmopolitan Conviviality will be held at Universidade Católica Portuguesa (Lisbon) in May 2019.Solo, Dance and Anarchy - The Apron Stage: A dance video essay, depicting nine “dancers”, coming on “stage”, to perform a “dance”.Las Golondrinas (The Swallows) is the name of a Mexican song from the end of the 19th century which is still part of melancholic goodbyes and nostalgic memories. Present in Latin American culture and its particular experience of migration, this song also entitles Maya Saravia's exhibition at Balcony Gallery. Last February, Kader Attia and Jean-Jacques Lebel presented “L’Un et l’Autre [One and the Other]” at Palais de Tokyo. Jean-Jacques Lebel (b. 1936, France) is an artist, curator, writer, activist, event organiser, and was the author of the first European happening; Kader Attia (b. 1970, France) grew up between Paris and Algeria, and his interdisciplinary approach to research explores issues such as traditions, colonialism and collective memory. Conviviality and the Institutional is a two-day conference in the frame of 4Cs: From Conflict to Conviviality through Creativity and Culture, a cooperation project supported by the European Commission in the frame of Creative Europe - Culture Sub-programme. Coordinated by the Universidade Católica Portuguesa, 4Cs aims to explore how art and culture can constitute powerful resources to address the subject of conflict. Migration, a documentary theatre piece performed in the Macao Arts Festival in May 2018, produced by the non-profit theatre company Macau Experimental Theatre, puts this agency onto the bodies of a group of Indonesian workers in Macao. The applications for the next edition of the International Meeting of Reflection on Community Artistic Practices are open until 15.03.2019Research article for INYI JOURNAL: International Network on Youth Integration.Presentation of some of the work from Portions of Share artists.Communication material - Faculdade de Ciências Humanas - Universidade Católica PortuguesaCommunities of Practice Towards Social Change - A journey through the Idea Camp (2014-2017) offers an insight into the concept of the Idea Camp and the communities it has brought together."Portions of Share" is the first moment of Lisbon's Mediation Lab.International conference - Notes on Europe. The dogmatic sleep
Oporto, October 29-31, 2019. Deadline for abstract submission – April 5, 2019